Résumé

Irish music holds pride of place among the cultural attributes defining Ireland, and its role in shaping national identity is undisputed. To question these certainties which tend to convey a restrictive notion of a so-called Irish music, the first Irish music studies conference in France, which took place at the université de Caen Basse-Normandie on September 10th-12th, 2008, brought together Irish studies scholars, musicologists and musicians from Ireland and from France. Proceeding from this conference, this collection of essays places itself in the context of the fairly recent development of music studies as an area of scholarship within Irish studies. After an introductory essay by Mícheál Ó Súilleabháin, head of the Irish World Music Academy and chair of Culture Ireland, other articles look at issues such as (re-)defining, instrumentalising, performing, staging and listening to Irish music. In this volume, studies of form, setting, repertoire, political and ideological exploitation and government policy sit alongside explorations of music motifs and themes in literature and on the stage.

Caractéristiques

Editeur : Presses universitaires de Caen

Collection : Littérature et civilisation irlandaises

Publication : 30 mai 2016

Edition : 1ère édition

Intérieur : Noir & blanc

Support(s) : Text (eye-readable) [ePub + PDF + Mobipocket + WEB]

Contenu(s) : ePub, PDF, Mobipocket, WEB

Protection(s) : Marquage social (ePub), Marquage social (PDF), Marquage social (Mobipocket), DRM (WEB)

Taille(s) : 120 ko (ePub), 1,1 ko (PDF), 330 ko (Mobipocket), 1 octet (WEB)

Langue(s) : Anglais

Code(s) CLIL : 3081

EAN13 Text (eye-readable) [ePub + PDF + Mobipocket + WEB] : 9782841337934

EAN13 (papier) : 9782841334292

Ouvrages dans la même collection

--:-- / --:--